LATER WORK 1:
The Cotswolds, Scotland, Greece & Africa
From the mid-1960s onwards, Oliver’s work developed into a style that he refined and worked with for the rest of his life. The two extremes of the early watercolours and the abstracts came together and informed the later paintings. They became at the same time representational and abstract, with close details of flora and fauna combined with a sense of depth and pure colour. They were at times almost sculptural, inviting the eye to travel into the open spaces between the detail. In a Cotswold landscape, for example, you may begin by seeing the shape of the hills, the wide horizon. Then you are drawn into the foreground, where you may find cornflowers, scabious, poppies and butterflies. Drawn in still further, you may come to wide abstract space that gives the painting a dimension beyond the descriptive.
Oliver was often reluctant to describe his work in words. He wanted each person to approach a painting without being first told what they should see…
The Cotswolds
Summer, Slad Valley
Redstart and Anemones
Fox, Bryony & Willow Herb
Painswick from Juniper Hill
Scotland
Summer Isles, Edrachillis Bay
Isle of Eigg
Isle of Eigg
Shore at Plockton
Greece
Crete
Landscape near Spili
Patmos
Venetian Harbour, Rethymnon
Africa
Kenya, Tsavo West
Tanzania
Lake Nakuru
Rhino & Hornbill